

IAN NORTH
b. 1945 Aotearoa, New Zealand.
Lives and works in Adelaide
Ian North is an artist who is also a widely published writer on the visual arts. He employs photography and painting to address considerations of place, identity and post-conceptual authenticity, in recent years crossing the Pacific by container ship and undertaking a sea voyage to East Antarctica to photograph the maritime environment. Has produced many bodies of work, including the portfolio Felicia: South Australia 1973–78; Canberra Suite 1980-81 (pioneering medium format colour film as an art medium); three Pseudo Panorama series, 1985–1988 (combining painting and colour photography); Home & Away, 1992; Haven, 2001/2013; East Antarctia 1915, 2015; Southern Ocean off Snares Islands 2015.
He has exhibited in Sydney, Melbourne and Adelaide (sixteen solo exhibitions), and in group exhibitions in London, Asia and the United States. His work is represented in fifteen Australian public collections. His publications include books on the Australian modernists Dorrit Black and Margaret Preston in the 1970s and a range of essays on the impact of the Indigenous art revolution (including ‘Expanse’, 1998, ‘StarAboriginality’, 2001, and ‘The Kindness of Kathleen Petyarre’ 2001). He has also addressed the intellectual relationship between art and neuro-aesthetics (‘Notes Towards a Natural Way to do Art History’, in North [ed.], Visual Animals, 2007).
North was Director of the Manawatu Art Gallery, Aotearoa/New Zealand 1969-71, immigrating to Australia to become Curator of Paintings at the Art Gallery of South Australia 1971-80 and Foundation Curator of Photography at the National Gallery of Australia 1980-84. He subsequently served on the National Gallery's Council, working with curators on the NGA’s acquisition policy, and also on the boards of the Biennale of Sydney and the Art Association of Australia and New Zealand. His qualifications include MA and MFA degrees in photography from the University of New Mexico. He held a personal chair at the University of South Australia where he was Head of the South Australian School of Art (1984-1993). He is currently Adjunct Professor of Visual Arts at the University of Adelaide where he is a member of the J M Coetzee Centre for Creative Arts.
In 2014 he was awarded a Medal of the Order of Australia (AM) and a Doctor of Arts honoris causa from the University of Adelaide.
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SELECTED SOLO EXHIBITIONS | |||||||||||||||||||||||||||||||||||||||||||
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2005 | The World is All that is Not the Case, Department of Philosophy, University of Melbourne | ||||||||||||||||||||||||||||||||||||||||||
2000 | The Intelligence of Blood. Department of Surgery, Queen Elizabeth Hospital, Adelaide | ||||||||||||||||||||||||||||||||||||||||||
1996 | The Olive Plantation. Art Gallery of South Australia | ||||||||||||||||||||||||||||||||||||||||||
SELECTED BIBLIOGRAPHY | |||||||||||||||||||||||||||||||||||||||||||
Bolton, Ken, ‘“Maintain the Buzz”¬– Lenin’. FORMGUIDE, Australian Experimental Art Foundation | |||||||||||||||||||||||||||||||||||||||||||
COLLECTIONS | |||||||||||||||||||||||||||||||||||||||||||
Adelaide Festival Centre; Artbank, Sydney; Art Gallery of New South Wales; Art Gallery of South Australia; Canberra Museum and Gallery; Flinders University of South Australia Art Museum; Griffith University, Brisbane; Ian Potter Museum of Art, University of Melbourne; National Gallery of Australia, Canberra; National Gallery of Victoria; Parliament House, Canberra; Canberra Museum and Gallery; Queen Elizabeth Hospital, Adelaide; Queensland Art Gallery, Brisbane; Queen Victoria Museum and Art Gallery, Launceston; Riddoch Gallery, Mount Gambier |
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