| BIOGRAPHY |
| 1954 | Born Cowra, New South Wales | | | 1976 | BA Fine Arts, South Australian School of Art, University of South Australia | | 1993 | Master of Arts (Visual Arts), South Australian School of Art, University of South Australia | | 1999 | Awarded Anne & Gordon Samstag International Visual Arts Scholarship | | 2000 | Post Experience Program, Royal College of Art, London, UK | | 2006 | PhD Visual Arts candidate, SA School of Art, University of SA |
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| SOLO EXHIBITIONS |
| 2015 | Wraptures, GAGPROJECTS | Greenaway Art Gallery, Adelaide | | 2012 | Transformal, Greenaway Art Gallery, Adelaide | | 2010 | After Image, Greenaway Art Gallery, Adelaide | | 2009 | Paintskin Survey 1993-2008; curated by Peter McKay, Contemporary Art Centre of South Australia
Paintings 2003-2009, curated by Trevor Fuller, Place Gallery, Melbourne | | 2008 | Flatland, Place Gallery, Melbourne | | 2007 | Circa, Greenaway Art Gallery, Adelaide | | 2006 | ObVerses, Watson Place Gallery, Melbourne
Rounder, Downtown Art Space, Adelaide | | 2005 | Greenaway Art Gallery, Adelaide (SALA Festival ’05 exhibition) | | 2004 | Watson's Place Gallery, Melbourne | | 2003 | Antipodean Antlers, Samstag Disclosures Project, Adelaide
Ray Hughes Gallery, Sydney
Ground Zero/Windows, Art Museum University of SA
DGZ, installation for University of South Australia Art Museum 'windows' series
4Mal, Greenaway Art Gallery, Adelaide | | 2001 | Greenaway Art Gallery, Adelaide | | 2000 | Hockney Gallery, Royal College of Art, London | | 1999 | Greenaway Art Gallery, Adelaide | | 1998 | Pinacotheca Gallery, Melbourne | | 1997 | Voice Box, Greenaway Art Gallery, Adelaide | | 1995 | PS, Greenaway Art Gallery, Adelaide | | 1993 | Greenaway Art Gallery, Adelaide |
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| SELECTED GROUP EXHIBITIONS |
| 2010 | Orange Wrappers, FELTspace, Adelaide | | 2010 | Green Candle 2 (collaborations with John Barbour), The New New, Contemporary Art Centre of SA
Quiet Reader, Adelaide Central School of Art Gallery, Adelaide | | 2009 | Recycled Library: Altered Books, touring national regional galleries, museums, and cultural centres in Gladstone, Grafton, Mornington Peninsula, Dubbo, Wagge Wagga, Bathurst, Noosa, Hervey Bay, Port Lincoln, Port Pirie, and Murray Bridge, touring 2009-2012
Left Field, Felt Space, Adelaide | | 2008 | The Green Candle, collaborative exhibition with John Barbour, SA School of Art Gallery, Adelaide | | 2007 | Audio-Visual, Downtown Art Space, Adelaide | | 2006 | Mentor-Mentored, Contemporary Art Centre of SA
Things Will Be Great, MOP Gallery, Sydney
Snapshot, Experimental Art Foundation, Adelaide and Country Arts SA touring exhibition | | 2005 | Dialectaline, Drawing Conference Exhibition, Prospect Gallery, Adelaide
Translations, Glass Work exhibition, Hill-Smith Fine Art Gallery
Livres, Librarie Millescamps Perigueux, France | | 2004 | Isle of Refuge and 3 Years to Life, Flinders University Gallery, Adelaide
Works on Paper, Watson Place Gallery, Melbourne | | 2003 | ARCO 2003, International Art Fair, Madrid, Spain, Greenaway Art Gallery stand
A small private eye, Horsham Regional Art Gallery and touring
Surfaces, Forum Exhibition, South Australian School of Art, Liverpool St Gallery, Adelaide | | 1999-2001 | What John Berger Saw, touring exhibition, IMA, Brisbane; Curtin University, Perth; Monash University Gallery, VIC; ANU Gallery; Orange Regional Gallery; University of South Australia Art Museum, Adelaide | | 2001 | Blanc, Artspace, Adelaide Festival Centre | | 2000 | Chemistry: Art in South Australia Art 1990-2000, Art Gallery of South Australia | | 1999 | The August Show, Port Community Arts Centre Gallery | | 1996 | Messy and Restless, Contemporary Art Centre of South Australia
ACAF5, Australian Contemporary Art Fair, Royal Exhibition Hall, Melbourne
White Hysteria, Contemporary Art Centre of South Australia & Stripp Gallery, Melbourne | | 1994-95 | Collaborative Mural Project, Northfield Women’s Prison, Adelaide | | 1994 | ACAF4, Australian Contemporary Art Fair, Royal Exhibition Hall, Melbourne | | 1993 | Group Exhibition, Greenaway Art Gallery, Adelaide | | 1992-93 | Masters & Graduate Exhibition, University of South Australia Art Museum | | 1983 | Music for Eyes, Car Crash Gallery, London, UK | | 1982 | Working Photography, Contemporary Art Society, Adelaide | | 1976 | Graduate Student Exhibition, Art Gallery of South Australia, Adelaide |
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| COLLECTIONS |
University of South Australia
Art Gallery of South Australia
Artbank
Mitchell Collection, Australia
Jose Luis Cuerda Collection, Spain
Karina Kawai Collection, Japan
Marcello Collection, Argentina |
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| SELECTED BIBLIOGRAPHY |
• Mark Siebert: catalogue essay for the group exhibition ‘Audio Visual’ 2007
• Anne Weckert: catalogue essay for the group exhibition ‘Things Will Be Great’ MOP Sydney
• Jim Moss: Catalogue essay for group the exhibition ‘Mentor Mentored’, Contemporary Art Centre 2006
• Jennifer Phipps: Catalogue essay for ‘ObVerses’ Watson Place Gallery Melbourne 2006
• Sephanie Radok Raw and Cooked Margins – Artlink Vol 24 No 3 2005 pp40-45
• Andy Fuller: What is Research -catalogue essay for Watson Place exhibition 2005
• Wendy Walker: Artlink, December 2003
• Paul Hoban: Mary T. Smith and Jungle Phillips (curatorial): Raw Vision #44, Fall 2003
• Terry Ingram: Australian Financial Review, 27 March 2003
• Wendy Walker – ‘A Lighter Touch’/review of ‘4mal’ /Greenaway Gallery, Advertiser July 19, 2003
• Alain Reneau – ‘Archeo Echos’ Sud Quest, March 2003, Perigeux, France
• ARCO 03 catalogue, ( Essay by Wendy Walker) February 2003,Madrid, Spain
• Ken Orchard Review of 2001 solo show at Greenaway Art Gallery, Artlink Volume 21 Number 4, December 2001
• John Barbour “Wired and Rooted” Broadsheet Summer Volume 28 No 4 1999/2000
• What John Berger Saw (1999 Catalogue Essay by Merryn Gates, (Nikos Papastergiadis ed) ANU Canberra School of Art Gallery
• Wendy Walker "Bohemian Sympathies" Advertiser Review July 20th 1999
• Samstag Scholarship Catalogue (Catalogue Essay by M.A. Greenstein) University of South Australia 1998
• Exhibition Catalogue Pinacotheca Gallery The Document Company (essay by John Barbour) 1998
Drury, N: Images 3 Contemporary Australian Art Craftsman House 1997
• Helen Fuller Broadsheet August/September 1997
Adam Dutkiewitz Advertiser Review June 17th, 1997
• Gavin Malone "Loungeroom of Ideas: Messy and Restless' In Artlink Volume 17 No 1 1997
• Stephanie Radok "Doin' the Limbo” Artlink Volume 15 No 4 1996/97
• O'Connell, S: Messy and Restless, Exhibition Catalogue Contemporary Art Centre of SA 1996
• John Neylon "White Hysteria" Adelaide Review July 1996
• Brett Buttfield "Messy and Restless" dB Magazine Number 131, 6/19 November 1996
• John Neylon Adelaide Review October 1996
• Brett Buttfield "White Hysteria" dB Magazine No 121,27 Aug-4 Sept. 1996
• Stephanie Radok Adelaide Review 1996
• John Neylon 'Mixed Metaphor" Adelaide Review February 1996
• Ken Bolton – Otis Rush No 11 1995
• Drury, N: Images 2 Contemporary Australian Art Craftsman House 1994
• University of SA Museum: Masters and Graduate Catalogue, South Australian School of Art University of SA 1993
• David O'Halloran "Signs of Freedom" Advertiser Review October 6th 199 |
