ONLINE EXHIBITION 21-1
RICHARD GRAYSON,
ARIEL HASSAN,
JUZ KITSON,
MYRIAM MECHITA,
PIERRE MUKEBA,
THOMAS RENTMEISTER,
MARK SIEBERT,
SUZANNE TREISTER,
JACK TROLOVE &
JAMES TYLOR
JANUARY - FEBRUARY 2021
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- Richard Grayson, “W.S.I.N. (Weird Shit In Nature) with Thistles”, 2020, watercolour and pencil on paper, 42 x 59.4cm.
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- Ariel Hassan, “Antropofagia #4”, 2020, graphite on paper, 26cm diameter
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- Ariel Hassan, “Antropofagia #5”, 2020, graphite on paper, 26cm diameter
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- Ariel Hassan, “Antropofagia #6”, 2020, graphite on paper, 26cm diameter
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- Ariel Hassan, “Antropofagia #7”, 2020, graphite on paper, 26cm diameter
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- Juz Kitson, “Temporal Fluidity No 17”, 2019, Jingdezhen porcelain, rabbit fur, timber frame, 63 x 30 x 16cm
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- Juz Kitson, “Temporal Fluidity No 4”, 2019, Jingdezhen porcelain, rabbit fur, timber frame, 39 x 30 x 13cm
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- Juz Kitson, “Temporal Fluidity No 13”, 2019, Jingdezhen porcelain, rabbit fur, timber frame, 37 x 30 x 15cm
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- Juz Kitson, “Temporal Fluidity No 1”, 2019, Jingdezhen porcelain, timber frame, 30 x 38 x 9cm
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- Myriam Mechita, “10805 days (ma montagne noir, mon coeur accelere)”, 2020, pencil on paper, 200 x 150cm
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- Myriam Mechita, “l-es portes solubles n’ont qu’une seule clé”, 2020, pencil on paper, 200 x 150cm
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- Myriam Mechita, “tout ce que j’ai tout ce qui me manque”, 2020, pencil on paper, 200 x 150cm
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- Pierre Mukeba, “Gratification”, 2020, pastel, chalk, ink & pen on paper, diptych, each panel 90 x 83cm
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- Pierre Mukeba, “ZEAL!”, 2020, pastel, chalk, ink & pen on paper, triptych, each panel 90 x 83cm
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- Thomas Rentmeister, “Park 51 Micro Plane”, 2019, aluminium, galvanized sheet steel, refrigerator, perspex, refrigerator shelves, neon tube, paper, plastic profiles, pillboxes, gauze bandages, cotton wool, wire, wool, ballpoint pen, Pattex, adhesive, tape, silicone tube, Tic Tacs, sugar, toothpatse, paper tissues, 78 x 300 x 150cm
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- Detail view of Thomas Rentmeister, “Park 51 Micro Plane”, 2019, aluminium, galvanized sheet steel, refrigerator, perspex, refrigerator shelves, neon tube, paper, plastic profiles, pillboxes, gauze bandages, cotton wool, wire, wool, ballpoint pen, Pattex, adhesive, tape, silicone tube, Tic Tacs, sugar, toothpatse, paper tissues, 78 x 300 x 150cm
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- Thomas Rentmeister, “Square Tubes (Looping)”, 2019, galvanized sheet steel, approx 420 x 675 x 205cm
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- Detail view of Thomas Rentmeister, “Square Tubes (Looping)”, 2019, galvanized sheet steel, approx 420 x 675 x 205cm
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- Mark Siebert, “Any Given Moment 1255 (Gmail)”, 2020, oil on canvas, 100 x 70cm
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- Mark Siebert, “Any Given Moment 2006 (eBay)”, 2020, oil on canvas, 113 x 75cm
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- Suzanne Treister, “SURVIVOR (F)/Museum of Altered States”, 2016-19, archival giclée print on fine art photo rag paper, 21 x 29.7cm, edition of 2/15. Courtesy of Annely Juda Fine Art, London
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- Suzanne Treister, “SURVIVOR (F)/Museum of Blue Rainbow Machine Survivor”, 2016-19, archival giclée print on fine art photo rag paper, 21 x 29.7cm, edition of 2/15. Courtesy of Annely Juda Fine Art, London
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- Suzanne Treister, “SURVIVOR (F)/The Sky was the Colour of the Death of the Internet_02”, 2016-19, oil on linen, 41 x 33cm. Courtesy of Annely Juda Fine Art, London
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- Jack Trolove, “Slip”, 2020, oil on linen, 50 x 60cm
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- Detail view of Jack Trolove, “Slip”, 2020, oil on linen, 50 x 60cm
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- Jack Trolove, “Petrichor”, 2020, oil on canvas, 40 x 50cm
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- Side angle view of Jack Trolove, “Petrichor”, 2020, oil on canvas, 40 x 50cm
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- James Tylor, “Economics of water#1 (Flood)”, 2018, Gold vinyl on photographic print, 100 x 100cm
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- James Tylor, “Economics of water#2 (Divide)”, 2018, Gold vinyl on photographic print, 100 x 100cm
